![]() He turns you into all of these different people at the same time. ![]() "What he’s doing in 45 seconds, he literally splits your personality. "What is this? Is this Hitchcock inserting himself into the narrative?" he asked. Zeroing in on the camera angles, Philippe mentions a low-angle shot looking up at a silhouette of Norman's mother. There are moments where you are the voyeur, moments where you are the spectator, moments where you are literally sort of a removed, almost the eye of God." You have a number of shots where you’re the murderer, you’re assaulting Janet Leigh or Marli Renfro (Leigh’s body double). ![]() "It was a new sort of cinematic language," Philippe told WPR's " BETA." "But if you look at the murder itself, you have a number of shots that are from the point of view of the victim.
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